
Author: Sadie Plant
Edition: 1st
Binding: Hardcover
ISBN: 0385482604
Edition: 1st
Binding: Hardcover
ISBN: 0385482604
Zeroes and Ones: Digital Women and the New Technoculture
Not since The Female Eunuch has there been a book so radical in its scope, so persuasive in its detail, so exhilarating in its polemical energy. Get Zeroes and Ones computer books for free.
ABeginning with Ada Lovelace and her unheralded contributions to Charles Babbage and his development of the Difference Engine, Sadie Plant traces the critical contributions women have made to the progress of computing.AAShattering the myth that women are victims of technological change, Zeros + Ones shows how women and women's work in particular--weaving and typing, computing and telecommunicating--have been tending the machinery of the digital age for generations, the very technologies that are now revolutionizing the Western world.
In this bold manifesto on the relationship Check Zeroes and Ones our best computer books for 2013. All books are available in pdf format and downloadable from rapidshare, 4shared, and mediafire.

Zeroes and Ones Free
ABeginning with Ada Lovelace and her unheralded contributions to Charles Babbage and his development of the Difference Engine, Sadie Plant traces the critical contributions women have made to the progress of computing
In this bold manifesto on the relationship
Related Computer Books

Technologies of the Gendered Body: Reading Cyborg Women
This book takes the process of "reading the body" into the fields at the forefront of culture-the vast spaces mapped by science and technology-to show that the body in high-tech is as gendered as ever. From female body building to virtual reality


Digital Labor: The Internet as Playground and Factory
Digital Labor calls on the reader to examine the shifting sites of labor markets to the Internet through the lens of their political, technological, and historical making. Internet users currently create most of the content that makes up the


Artificial Hells: Participatory Art and the Politics of Spectatorship
A searing critique of participatory art by an iconoclastic historian.Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take

No comments:
Post a Comment